BY SUSAN ESTRICH Like most Americans, I haven’t seen “The Hurt Locker,” but I was still rooting for Kathryn Bigelow to claim the Best Director statue. This is, after all, 2010 – a little late in the day for “first women,” particularly in an industry that depends on women as much as men to buy tickets. If you believe the media accounts, another glass ceiling has now been broken. Were it only so simple. Of […]
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